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Winer had taken a key piece of Netscape technology, the Resource Description Framework (RDF) that built on the eXtensible Markup Language for describing data, and made it work as a remote procedure call on Internet Protocol networks, known as XML-RPC. RDF was a standardized approach to describing the parts of a Web page. Winer christened his invention Really Simple Syndication, or RSS. By linking it to remote procedure calls, Winer made subscribing to Web sites possible, so that readers could receive the contents of those pages as a feed that could be processed by an RSS-aware application called a news reader. Compared to push applications, RSS was brilliantly open. Anyone with a Web page could put a subscription service out for all comers to grab and use. Download costs were far lower, because only the data people wanted was added to subscriptions. From this foundation, the blogging phenomenon, which Winer also led, took flight. But audio was still outside the blogging mainstream. By 2003, lots of folks were experimenting with the idea of blogging with audio. Webcasting, the streaming of audio files, was giving way to the idea of downloadable files that could be played back on portable devices, not just PCs. Apple s iTunes store was actually selling songs. Several audio download services, still closed in various ways, had appeared, including I2Go s MyAudio2Go. com. Fermentation was bound to produce something new. One of the authors, Mitch Ratcliffe, posted a downloadable audio file of a parrot joke on his blog in September of 2003 (signifying nothing other than, if he was doing it, it wasn t obscure anymore). Eric Rice, co-founder of

FIGURE 1-2

=P vl = (3.6 x 1O- 3 )( IOk )

Equations (4.90) simplify enormously under the condition that krz ksz , in which case Dkz 0. In this case R(z) R0 cos(g z) S(z) iR0 sin(g z) (4:91)

25: Video Editing Basics 26: Animating in the Animation (Timeline) Panel 27: Correcting Video Files and Adding Artistic Effects 28: Animating Using the Animation (Frames) Panel

You can select the entire drawing (type all at the Select Objects: prompt), and AutoCAD finds just the linked objects.

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You have to be heard or seen before you can convert a listener into a customer. Unfortunately, many podcasters have adopted this truism as a sort of biblical truth, insisting that the only way to reach an audience is to be heard in full for free every time. This is because most folks starting a podcast believe that the proliferation of audio and video programming makes the podcast a commodity product. They do not. If you want to make a business of a program, you have to transcend the market in some way to create a product that is unique and valuable. No one makes a business being like everyone else. You must find ways to offer snippets of your new programs and full versions of older programs with a direct path to your subscription page, where the listener can become a paying subscriber. To the degree that you can recognize repeat visitors and increase the value of your subscription offer. Keep in mind that, unlike previous media, podcasting is pretty malleable. Ricky Gervais, rather than selling a year s subscription, is offering seasons of six shows. Consider offering longer subscription periods for the same price instead of lowering the price of a fixed-time subscription. Free previews can be excerpts of your best shows or complete older shows. If your information is timely, such as stock picks, the fact that you can give away older material is a huge benefit, because if your picks are successful, you can even drop in updates that point out your successes. The only thing that determines your success is converting a listener into a paying customer. Don t be shy about asking for the subscription; your business is the podcast you produce.

As you move the mouse over different table styles, the currently selected table displays a Live Preview of the formatting.

The Gauss-Lobatto points in a convex quadfi/atefa/K c R2 Consider an arbitrary convex quadrilateral domain K c R2 with pairwise-distinct vertices z1,x2, . . . ,x4 and straight edges s1, s2,. . . ,s4 (Figure 3.3 in Section 3.2). The corresponding isoparametric biaffine reference map X K : K , i K was defined in (3.13). The vertex, edge, and interior (bubble) nodal points in are defined as the images of the nodal points (4.30),

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